Gemini III, 2012-16

Stephen Cox RA

Gemini III , 2012 - 2016

Carved Egyptian breccia

Gemini III is a sculpture consisting of a base and two abstract figures carved from the same block of stone. The stone is known variously as ‘antique Egyptian’ or ‘Hammamat breccia’ and is a conglomerate with bight coloured ‘pebbles’ and fragments of diverse stones: granites, marbles, quartzes, hornblende and hematite of yellow, red, black, pink and white strewn in a greenish matrix. It has been recognised for its beauty since pre-dynastic times making its source one of the oldest, if not the oldest, ‘decorative’ stone quarries in the world. Its fame has yielded up stone to expeditions sent by early kings and pharaohs of Egypt as well as from distant lands including Xerxes and Darius of Persia and Philip of Macedon father of Alexander. These periods of activity have been recorded on the walls of the quarries with famous graffiti that has been left by the quarrymen. The graffiti consists of inventories of men and provisions that were tallied by the masters as well images of idols and offerings some simple, others technically very accomplished others expressing the yearnings of lonely men in a savage desert environment.

The Gemini series of sculpture deals with the relationship between two figures that share the family characteristics of the same block of stone like the generative life force of a splitting cell mirroring the life force of the fertility god Min who was the supreme god of this fabled land of Koptos that was also the source of Egyptian gold. The first Gemini sculpture was shown originally at the Royal Academy Summer Exhibition followed by ‘The Meaning of Stone’ at Ludlow Castle and ‘Sculpture in the Quad’ at Lincoln College Oxford. It is currently on loan to Canterbury Cathedral until March 2017.

Relief Figure Emerging, at Apple Tree Yard, 2015

Relief Figure Emerging, 2015

Apple tree Yard, 8 St James Square

Studies for Figure Emerging:


More works in London:

Grail II, 2016

Grail II, 2016

Carved Egyptian porphyry with gold leaf details

Height 11cm (4 1/4") Width 16cm (6 1/4") Depth 16cm (6 1/4")

This work is currently being shown by Adrian Sassoon, London. 

This special stone has a special place in my work since being given permission to extract stone from the Imperial quarries in Egypt nearly 30 years ago to make sculpture for the new Opera House in Cairo. With its transition from Roman Imperial exclusive use to its use after Constantine in Christian contexts, its symbolism is assured.

Using the rich symbolism that has shaped our western culture, I draw from its well for inspiration. I was inspired by a claim that the Holy Grail was brought near my home in Herefordshire, England by Joseph of Arimathea and Mary Magdalene in their, perhaps, mythic refuge from persecution. There are hundreds of claims of the existence of ‘Grails’, many debunked by scientific proof of age, especially wooden examples. I have used here a stone that may have found its way to a special usage from the Imperial representative in Judaea. I have used other materials too that would confound analysis, having age that cannot be questioned. The form of this grail is from a painting by Juan de Juanes.

The Volcanic Bowl, 2016

The Volcanic Bowl, 2016

Carved volcanic dyke with green gold leaf and gilded bronze element

Height 9.5cm (3 3/4") Width 20.5cm (8 1/8") Depth 16cm (6 1/4")

This work is currently being shown by Adrian Sassoon, London. 

This material is a geological detritus, I suppose. It is a material that is a bi-product of the cooling process of diverse materials which have been squeezed out of the vents in the volcanic flues around the forming basalt, causing vitrification of the surface. Polishing has revealed the marble-like quality of this stone due to superheated silica which has met with a rapid cooling. The rhomboidal shape of the sculpture is characteristic of the ‘chrystaline’ behaviour of cooling rock.

The double hemisphere void in the stone was the result of deciding on the most interesting shape within the form. The figure of eight-like shape suggested that a ‘peanut’ form could reside within it which has been the culmination of the process.

Louis Khan: Siva / Kali, Evening, 2016

Louis Khan: Siva / Kali, Evening, 2016

oil stick and oil paint

5ft x 5ft

Offering Bowl: Life Force, 2016

Offering Bowl: Life Force, 2016

Carved Egyptian breccia

Height 7.5cm (3") Width 28cm (11") Depth 19cm (7 1/2")

A recent offering bowl formed from Egyptian breccia is engraved with typical images drawn from the the walls of the valley of the quarries.

The original graffiti was wide ranging in its subject matter. It depicted inventories of men and provisions that were tallied by the masters as well images of idols and offerings some simple, others technically very accomplished. Some of the imagery expressed the yearnings of lonely men in a savage desert environment.

Offering Bowl: Shrine of Min, 2016

Offering Bowl: Shrine of Min, 2016

Carved Egyptian breccia

Height 7.5cm (3") Width 30cm (11 3/4") Depth 24cm (9 1/2")

A recent offering bowl formed from Egyptian breccia is engraved with typical images drawn from the the walls of the valley of the quarries.

The original graffiti was wide ranging in its subject matter. It depicted inventories of men and provisions that were tallied by the masters as well images of idols and offerings some simple, others technically very accomplished. Some of the imagery expressed the yearnings of lonely men in a savage desert environment.

Louis Khan: Siva / Kali, Black, 2016

Louis Khan: Siva / Kali, Black, 2016

Black, oil stick and oil paint

5ft x 5ft

These drawings are inspired by the magnificent Indian Institute of Management designed by the great architect Louis Khan at Ahmedabad in Gujarat.

Louis Khan: Siva / Kali, Grey, 2016

Louis Khan: Siva / Kali, Grey, 2016

oil stick and oil paint

5ft x 5ft

These drawings are inspired by the magnificent Indian Institute of Management designed by the great architect Louis Khan at Ahmedabad in Gujarat.

Louis Khan: Siva / Kali, Orange, 2016

Louis Khan: Siva / Kali, Orange, 2016

oil stick and oil paint

5ft x 5ft

Bowl, 2017

Bowl, 2017

Carved Egyptian porphyry

Height 10cm (3 7/8")
Diameter 19cm (7 1/2")

This work is currently being shown by Adrian Sassoon, London. 

This wonderful stone has a special place in my work since being given permission to extract stone from the Imperial quarries in Egypt nearly 30 years ago to make sculpture for the new Opera House in Cairo. With its transition from Roman Imperial exclusive use to its use after Constantine in Christian contexts, its symbolism is assured.

Oval Basin, 2017

Oval Basin, 2017

Carved Egyptian porphyry

Height 14cm (5 1/2")
Width 45cm (17 3/4")
Depth 39cm (15 3/8")

Private Collection, Michigan, USA, 2017

This wonderful stone has a special place in my work since being given permission to extract stone from the Imperial quarries in Egypt nearly 30 years ago to make sculpture for the new Opera House in Cairo. With its transition from Roman Imperial exclusive use to its use after Constantine in Christian contexts, its symbolism is assured.

Rotating Sampler, 2017

Rotating Sampler, 2017

Porphy, Breccia, basalt and diorite with chromed brass soap dispensers

Peregrine: Sentinel, 2017

Peregrine: Sentinel, 2017

Hand-carved Egyptian porphyry set on an Egyptian porphyry base

Height 101cm (39 3/4")

Width 25.5cm (10")

Depth 24.5cm (9 5/8")

Gemini Basins, 2018

Gemini Basins, 2018

Carved Egyptian porphyry

 

Width 90cm (35 3/8")
Depth 45cm (17 3/4")
Height 45cm (17 3/4")

This work is currently being shown by Adrian Sassoon, London.