Stephen Cox: Scultura, Carini Gallery Exhibition Florence, 1987

Stephen Cox: Scultura, Carini Gallery Exhibition Florence, 1987

All works made in Perpino stone

Works above left to right: Tondo: Dono, 1987, Tondo: Sorgente, 1987 & part of Traumatras, 1987

Works above left to right: part of Traumatras, 1987, Olla I, II, & III, 1987, Traumatras I & II, 1987

Works above: Circolo, 1987

Works above: Traumatras I and Traumatras II, 1987

Two studies for 'Bay', 1987

Two studies for 'Bay', 1987

Coloured chalks

Height 59.5 cm x Width 82.5 cm

British Museum Collection


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Study for Ganepathi and Devi, 1988

Study for Ganepathi and Devi, 1988

Pastel and charcoal on paper

38.4 cm x 55.7 cm

Tate Collection


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Crowned Torso, 1988

Crowned Torso, 1988

Pastel and charcoal on paper

213.1 cm x 124.3 cm x 3.3 cm

Tate Collection


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Kani, 1988

Black Indian granite and cotton cloth of various colours with oil

60 x 500 x 46 cm (23 1/4 x 196 3/4 x 18 inch)

Private Collection

Ganapathi and Devi, 1988

Dolorite

A: 332 x 163 x 105 cm

B: 308 x 127 x 96 cm 

Broadgate Properties PLc, London

It’s 5,106 miles from London to the quarries of Mahabalipuram in Tamil Nadu, India. In 1988, this is where artist Stephen Cox sourced the stone for his monolithic, semi-abstract sculptures, Ganapathi And Devi, which now stand in Broadgate Plaza. Apart-yet-together, these complex works allude to sculptural torsos and ancient themes (Devi is the name of the female Hindu goddess while Ganapathi is the South Indian name for the popular elephant god, Ganesha) fusing the contemporary with the historical.

Organs of Action, 1988

Black Indian granite with oil

5 elements

Each 186 x 61 x 23 cm

Photographed at the Cass sculpture foundation

Private Collection, UK

Holy Place, 1988

Holy Place; A timber-like structure, framed by red and white rectangular shapes, [pictured in black and white] 1988

Oil and graphite on India paper

British Museum Collection


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Chrysalis, 1989–91

Chrysalis, 1989–91

Porphyry

92 cm x 285 cm x 100 cm

Tate Collection


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Rishi, I, 1989

RISHI I , 1989  Basalt, ( variously: dolerite or black ‘granite’ or Charnockite).

175 x 90 x 45 cm including base

The Rishis are regarded as sages or seers who, after intense meditation, realized the supreme truth and eternal knowledge which they then translated into hymns. Stephen Cox’s sculpture entitled “Rishi I” represents a figure with the minimum intervention made on to the stone itself. The stone, basalt, was taken from a place where some of the oldest stones on the Earth’s surface can be found. It shows the scars and incisions of the quarry men who have used the most primary tools to release the block from its bed, where it has lain since long before the beginning of human recorded time. This act of releasing stones from a primordial era and bringing them into the light of today is central to Cox’s practice, as he strives to understand a universal language of sculpture.

Flask, 1989-91

Flask, 1989-91

Hammamat breccia

183 x 80 x 50 cm

Installation British Museum

Private Collection Hong Kong