Measuring Grids (Stored State), 1969
Nylon, Nylon Cord, Electrical Connectors and Steel Supports
426cm (168") x 426cm (168")
The Artist
Measuring Grids (Stored State), 1969
Nylon, Nylon Cord, Electrical Connectors and Steel Supports
426cm (168") x 426cm (168")
The Artist
Measuring Piece: Twelve, Six x Six Erected, 1970
Nylon cord, metal bars and electrical connectors
488 cm x 1463 cm
Instalation Ronnie Rees studio
Painting I, 1971, Zinc primer
Painting II, 1971, Acid etch primer
Painting III, 1971, Red oxide primer
Painting IV, 1971, Lead primer on steel panel
Each 139.7 x 139.7x 3 cm
Group of Fragments in the Architecture of Space, 1972
Zinc and lead primer on black plate, Acid etch primer on black plate and Zinc and red oxide primers on black plate
approx 20 x 20 x 1.5 cm each collage
Artist Collection
Paper Stack Piece I, 1972
Paper and metalic paint
64.5 x 95 x .5 cm
Volume X 2: I, 1973
Grey Conqueror laid paper
6.4 x 35.5 x 25.4 cm
VolumeX 2: II, 1973
3.2 x 35.5 x 50.8 cm
Silver sand and lime on plasterboard and wood with galvanised beading
61 x 61 x 7.5 cm
The Artist
Specific Surface I, 1974
Pink Building Plaster on Plasterboard with galvanised beading
183cm (72") x 620cm (244")
Installation at Orleston Mews Studio, London
Silver sand and lime on plasterboard with galvanised beading
305 x 640 cm
Installation at Orleston Mews Studio, London
Surface: Shining Forth to George (Jackson), 1977
Silver Sand and Lime on Plasterboard with Galvanised Beading
305cm (120") x 640cm (252")
Black and White photograph are of the installation at Whitechapel Art Gallery, London
The last colour image is of the piece at 'Origins and Influences' at Bristol City Museum and Art Gallery
Surface: Spread, 1977
White Building Plaster and Wallboards with Galvanised Beading
305cm (120") x 640cm (252")
Installation at Paris Biennale, Palais de Tokyo
Surface: Charm, 1977
White building plaster on Sheetroc with galvanised beading
244 x 508 cm
Installation at the Lisson Gallery at the Fine Arts Building, New York.
Pigment on Formica
14 x 126 cm
The Artist
Alizarin Pigment on paper,
25 x 25cm
Galerie Laage-Salomon, Paris
Cadmium orange pigment on strawboard
Each 37.5 x 39.5cm
Centre for the Study of Sculpture, Henry Moore Institute, Leeds
Pigment on fomica
12 x 156 cm
The Artist
Relief: Untitled, 1977
Pink Building Plaster on Plasterboard and Wood
250cm (98 1/2") x 250cm (98 1/2") x 8cm (3 1/4")
The Artist
Relief: Donato I, 1977
Keene's Cement on Paramount Board
120cm (47 1/2") x 136cm (53 1/2") x 6.4cm (2 1/2")
The Artist
Lisson Gallery installation images
Large Relief I, II & III, 1978, as displayed at the Henry Moore Institute, Leeds
Large Relief I
Pink Building Plaster on Plasterboard and Wood with Galvanised Beading
302cm (119") x 242.5cm (95 1/2") x 8cm (3 1/4")
The Artist
Large Relief II
Grey Building Plaster on Plasterboard and Wood
302cm (119") x 242.5cm (95 1/2") x 8cm (3 1/4")
The Artist
Large Relief III
Silver Sand and Lime on Plasterboard and Wood
302cm (119") x 242.5cm (95 1/2") x 8cm (3 1/4")
The Artist