Holy Water Stoup, 2009
More works at Canterbury:
Holy Water Stoup, 2009
More works at Canterbury:
Grand Peregrine, 2009
Cass Sculpture Foundation
Indian granite
400 x 130 x 130 cm
Lancia Figures' Egyptian Alabaster 2009
Porphyry Cluster, 2010
A set of three carved Egyptian porphyry bowls
Height 12cm (4 3/4") Width 36cm (14 1/8") Depth 22cm (8 5/8")
Private Collection, Switzerland, 2013
Kani: Muses, 2011
Black Indian granite and cotton cloth of various colours with oil
60 x 500 x 46 cm (23 1/4 x 196 3/4 x 18 inch)
Collection of the artist
The Holy Grail, 2011
Petrified wood, 10 x 14 cm diameter
See all the works at this exhibition below:
This exhibition was held at Ludlow castle and featured large and small scale works that draw inspiration from a wide variety of concepts.
Shrouded Peregrine: Prince Arthur, 2011
Clee Hill basalt (Dhustone), 53 cm x 180 cm x 67 cm
Bek I, 2007
Egyptian alabaster, 170 x 40 x 30 cm
Bek II, 2008
Egyptian alabaster, 153 cm x 36 cm x 24 cm
Bek III 2011
Egyptian brecciated alabaster, 178 cm x 39 cm x 24 cm
See all the works at this exhibition below:
This exhibition was held at Ludlow castle and featured large and small scale works that draw inspiration from a wide variety of concepts.
This exhibition was held at Ludlow castle and featured large and small scale works that draw inspiration from a wide variety of concepts.
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Charcoal on Paper
Charcoal on Paper
Charcoal on Paper
Charcoal on paper
Egyptian Alabaster
Harbour City Estate, Hong Kong Collection
Indian Basalt gold leaf vegetable oil
Eagle Place, St Jame's Gateway
Commissioned by Crown Estates
Trio of Bowls, 2014
Carved Ancient Egyptian pegmatite
Height 8cm (3 1/8") Width 60cm (23 5/8") Depth 15.5cm (6 1/8")
Private Collection, London, 2017
Bowl of Paradise: Adam, 2015
Carved petrified wood
Height 7.5cm (3") Width 13cm (5 1/8") Depth 10.5cm (4 1/8")
This piece is currently being shown with Adrian Sassoon, London
I worked with petrified wood to represent wooden elements in a coat of arm as a part of a funerary monument for a church in Lincolnshire.
In my investigations in sculpture dealing with religious relics I became preoccupied with how relics often discredited with dating, were still revered. This was an issue of faith and belief and a rich area of interest in a number of sculptures executed through the years in particular ‘The Holy Grail’ in petrified wood whose age could not be discredited.
A New Perspective to Peter Higgs, 2015
Basalt